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Monthly Archives: October 2007

Or, if Jane Austen wrote Star Trek…

Hidden in the Federation Archives is this never-before-seen account of Yeoman Rand’s first days on the Enterprise:

Every stardate now brought its regular duties;–Captain Kirk’s orders were to be recorded; some new part of the ship to be discovered; and the Bridge to be attended, where officers spent hours staring at whirling lights and, on occasion, falling out of their chairs.

Yeoman Rand, however, knew no one and, consequently, spoke to no one, and no one spoke to her. The wish of a numerous acquaintance on the ship was uppermost on her mind, and her heart wished it anew after every fresh proof, which every stardate brought, of her knowing nobody at all.

She made her appearance in the Rec Room; and here fortune was more favourable to our heroine. Captain Kirk, the only inhabitant of the ship with whom she had as yet exchanged more than half-a-dozen words, was present; he, with infinite condescension, engaged her in conversation.

The captain seemed to be about four or five and thirty, was of middling height, had a pleasing countenace, a very intelligent and lively eye, and, if not quite handsome, was very near it. He talked with fluency and spirit–and there was an archness and pleasantry in his manner which interested, though it was hardly understood by her–or, if truth be told, by himself.

Forming his features into a set smile, and affectedly softening his voice, he said, with a simpering air, “Have you been long on the Enterprise, Yeoman?”

“About a week, sir,” replied Rand, trying not to laugh.

“Really!” with affected astonishment.

“Why should you be surprized, Captain?”

“Why, indeed!” said he, in his natural tone. “Were you never here before, Yeoman?”

“Never, sir.”

“Indeed! Have you yet honoured the Sick Bay?”

“Yes, sir, I was there last Monday.”

“Have you climbed in a Jeffries tube?”

“Yes, sir, I was in a Jeffries tube on Tuesday.”

“In engineering?”

“Yes, sir, on Wednesday.”

“And are you altogether pleased with the ship?”

“Yes–I like it very well.”

“Now I must give one smirk, and then we may be rational again.”

Rand turned away her head, not knowing whether she might venture to laugh.

“I see what you must think of me,” said he gravely– “I shall make but a poor figure in your log tomorrow.”

“My log!”

“Yes, I know exactly what you will say: Friday, went to the Rec Room; wore my red dress with the three-inch skirt–long black boots–appeared to much advantage, particularly in the gap between the aforesaid items; but was strangely harassed by a queer, half-witted man, who would make me talk with him, and distressed me by noticing my legs.”

“Indeed I shall say no such thing. I had much rather you notice my legs now, on the ship, than wait until we are on a planet, when there are certain to be bizarre blue growths on them.”

And don’t forget — on the first Tuesday of November, we’ll be discussing the Colin Firth/Jennifer Ehle Pride and Prejudice!

Cara
Cara King, who would far rather climb in a Jeffries Tube than wear a miniskirt

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This Saturday I caught My Fair Lady on TMC.

My first introduction to My Fair Lady was from a record (those vinyl things that look like an oversize DVD ). The local grocery store ran a special on show tunes, each week an album of a different musical. My sisters and I played the My Fair Lady record, as well as the others, over and over until the words were embedded in our memories. Of all the show tunes, though, My Fair Lady was my favorite.

Shortly after, the play came to the National Theater in Washington, DC, and my sisters and I were allowed to take the bus all-by-ourselves into the city. I remember the adventure of this solo journey more than I remember seeing the play, even though it was my first experience of going to a “real” play.

I wish I could have loved the movie of My Fair Lady, but I never have. It never matched what my imagination created for My Fair Lady when I listened to our soundtrack from the grocery store. The performances are marvelous, especially Rex Harrison and Stanley Holloway; however, I never thought Audrey Hepburn (who I love in her other movies) was the right Eliza. (Julie Andrews, who created the role of Eliza on Broadway, ought to have had the part)

My favorite character was Freddie (played by Jeremy Brett), who I felt had the best song, On the Street Where She Lives. I thought he was so romantic, just wanting to be on Eliza’s street, ready to do her bidding. He still was the most handsome fellow in the movie.

The story is, of course, set in Edwardian times, a beautiful fashion period, like the Regency, and a time, like the Regency, where class differences were noteworthy. Watching the movie, I realized the set rather imprinted on me what a London street ought to look like. There were lots of white buildings and wrought iron. When I went to Covent Garden, I think I expected Eliza Doolittle’s Covent Garden. In any event, I loved the movie set. I loved how the set looked when Freddie walked down the street where Eliza lived. That felt like London to me.

After watching the movie, I just have to believe that My Fair Lady was one early experience that fostered my love of England and, ultimately, of the Regency.

What early experiences led you to love the Regency?

There’s a touring company performing My Fair Lady. It is coming to The Kennedy Center in Washington, DC this December and maybe to a city near you.

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Let’s talk a bit about an aspect of movies that is often not even really noticed, but which can make or break a story–the soundtrack.

Something of a tangent, but not entirely: last weekend I went to see Elizabeth: The Golden Age. I was really looking forward to it, since I liked the first Elizabeth film. The Elizabethan era is one of my very favorites. In grad school, I specialized in Elizabethan poetry, so I know that the history in that movie was, well, a big crock of almost total nonsense. I expected that would be true of The Golden Age, as well, and also that the costumes would be stupendous (if sometimes a bit silly–what was up with that gigantic flower??). I wasn’t disappointed by either. What I didn’t expect was that it would be something of a snooze-fest. It even made Mary Queen Scots and the Armada dull going, and even Clive Owen (looking quite yummy in his scruffy-explorer Walter Ralegh get-up) seemed to be sleep-walking through it all.

The first movie was highly suspenseful, dark, almost claustrophobic. It captured the danger of the times so well, and also the lavishness and the delicious bawdiness. Christopher Eccleston was an intensely menacing Duke of Norfolk; Cate Blanchett an astoundingly perfect queen (as she also was in TGA, though far too young-looking). That tension was lacking in this new film. It gave me way too much time to eat my Sour Patch Kids and ponder such stream-of-consciousness matters as–“Why does Phillip II persist in giggling constantly? Why does he only have such lame lines as “What of the Jesuit?” And which one is the Jesuit anyway? Rhys Ifans? Or that crazy kid who looks like a Calvin Klein underwear model? No, I think he’s supposed to be Babington. Maybe. Why get an actress of Samantha Morton’s caliber to play Mary Queen of Scots if they’re not really going to use her? She should star in her own movie. Mary: Age of Extreme Foolishness. I would definitely go see that. She’d have to lose that weird Scottish accent, though, and sound French like she’s supposed to. Wow, I do like that gown Abbie Cornish is wearing. Wonder where I could get one?”

Anyway, the point of all this is that there were a few scenes I liked. The one where the crazy underwear model tries to shoot Elizabeth; Mary’s execution; the one where the storm that will destroy the Armada (not, as the movie would have us believe, Clive Owen) is brewing, and Elizabeth walks out on a cliff in a flowing white chemise. Oh, and the Volte dance bit. I do love bits with dances. Those scenes had a power lacking in much else, and one of the important reasons was the very effective use of music.

Another movie that did this very well was Marie Antoinette. I liked it despite the very bad screenplay and the less-than-stellar acting because, aside from looking gorgeous, it sounded weirdly great. The montage of life at Versailles set to Vivaldi; the masked ball where dancers twirl around to Hong Kong Garden. Terrific, if also very, very odd.

I like to set my books to soundtracks, too. This is a great way to waste time not writing while also feeling like I am doing something productive for my creative process. My current WIP is the second in my “Muses of Mayfair” series, Clio’s story, set in Sicily in 1818. Here are a few songs I’ve found for it:

1) Albinoni’s Adagio

2) Dave Matthews Band, Crash

3) Mozart, Der Holle Rache (the Queen of the Night’s second aria), The Magic Flute

4) Nickelback, Rock Star (I’m usually contemptuous of Nickelback, I admit, but this one has a Big Dumb Fun infectiousness, much like that “tell me what you want what you really really want” Spice Girls song. Maybe I should include that one, too)

5) The Cure, Pictures of You

6) BowWowWow, Aphrodisiac (stolen from the Marie Antoinette soundtrack, which I like to listen to when on the treadmill)

7) Mascagni, Intermezzo sinfonico from Cavalleria Rusticana

I need something for a skinny-dipping scene, too, if anyone has any ideas…

If you did a soundtrack for your own WIP, or your favorite book, what would it include? Anyone seen any good movies lately???


I have a headache. Not the usual lord-it’s-my-turn-post, what-the-heck-am-I-going-to-write-about headache, but a HEADACHE headache.

As in, I went out last night to see Jane Lockwood and Colette Gale read from their respective works last night and had a few cocktails headache. Ouch. Remind me not to make that a habit, it’s painful.

Anyway, although I am not generally a fan of listening to people read aloud, I really enjoyed what I heard; Jane’s book, for example, has some really funny parts that would probably get lost in the reading if it were just me and my old inside-head reading voice and not Jane’s delicious British accent. And Colette imbued her much more serious reading with a stark intensity that matched the mood of the book.

So, yeah, it was fun. And drinks were had. And the best part, of course, was hanging out with other authors.

Today, I have to take that inspiring feeling of camaraderie and sit down by myself at the keyboard and continue writing. A solitary endeavor, yes, but I’ve got virtual support all over the darn place. So headache and all, I am going to knock out some pages so I can feel proud to belong to such great groups as the Riskies, the community of authors, and women who don’t mind saying naughty words in public.

I have no witty questions to ask (remember the headache thing, above?); just a ‘thank you’ the community we’ve gathered here, and it’s fabulous having such great friends. And, if you’ll excuse me, I’ll just go be lying down for a little bit.

Megan

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Jane Lockwood (Forbidden Shores) and Colette Gale (Unmasqued) are reading from their books tonight at Virgins’ Night at the In the Flesh Reading Series hosted by Racher Kramer Bussell. It’s free! There will be free books (Colette’s) and cupcakes and all sorts of good naughty stuff:

8 PM
Happy Ending Lounge, 302 Broome St., NYC

But, but … wait a minute. Virgins Night?

Yes. It’s for debut erotica writers reading their stuff aloud for the first time.

Jane and Colette, plus the other writers, will each have ten minutes to read aloud their hot stuff. Jane reports that she’s too busy to even be nervous, but she’s sure she will be when it comes down to it.

I’ve read parts of my books aloud–it’s actually something I quite like when I’ve got over the oh my god how could I write such a clunky sentence feeling and just enjoy the sensation of performing, and gauging the audience’s reaction.

What about you? Do you enjoy listening to authors read their work? How about books on tape or CD? If you’re a writer, do you like to read your work aloud and who have you read it to (pets excluded)?

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